Adapt/Outlast

hate5sixofficial:

Foxfires
February 25, 2012 [HELL Comp Release]
The Democracy Center
Cambridge, MA

hate5sixofficial:

People keep asking if I have a donation bin at shows. I didn’t. But now I do. I laser etched this mission statement on top of the box lid. Look for it at shows I’m filming! Photo: Birds In Row, by AXO.
This project stands for the redistribution of high-quality live music videos in as much of an anti-capitalist framework as realistically allowable. At its crux, music is the communication of ideas through rhythm and sound. The introduction of money into the equation invariably obscures that connection. In an era when the turnover rate in the community is staggeringly high, this site serves as a vehicle for preservation and posterity. Institutional memory is key in any setting, and hardcore is no exception. A band’s live performance tells a story about a particular moment in time relative to a particular audience. The intention here is to share that story with people who could not be there to experience it, both physically and temporally, or with those who have no conception of what hardcore is. 

Without an audience, a band is just sending acoustic vibrations into an empty room. Without a band, bodies are just standing catatonically in a room waiting for inspiration or some other activation of the senses. This interface between the two defines an impassable gap between seeing a live show in the flesh and watching a two dimensional projection of said show on a screen. They can never be equivalent, but there are ways to construct a bridge that attempts to close that gap. The retelling of these narratives in this manner is the sole mission of hate5six.com. 

Your donations support the continued growth of this project.

http://hate5six.com/donate

hate5sixofficial:

People keep asking if I have a donation bin at shows. I didn’t. But now I do. I laser etched this mission statement on top of the box lid. Look for it at shows I’m filming! Photo: Birds In Row, by AXO.

This project stands for the redistribution of high-quality live music videos in as much of an anti-capitalist framework as realistically allowable. At its crux, music is the communication of ideas through rhythm and sound. The introduction of money into the equation invariably obscures that connection. In an era when the turnover rate in the community is staggeringly high, this site serves as a vehicle for preservation and posterity. Institutional memory is key in any setting, and hardcore is no exception. A band’s live performance tells a story about a particular moment in time relative to a particular audience. The intention here is to share that story with people who could not be there to experience it, both physically and temporally, or with those who have no conception of what hardcore is.

Without an audience, a band is just sending acoustic vibrations into an empty room. Without a band, bodies are just standing catatonically in a room waiting for inspiration or some other activation of the senses. This interface between the two defines an impassable gap between seeing a live show in the flesh and watching a two dimensional projection of said show on a screen. They can never be equivalent, but there are ways to construct a bridge that attempts to close that gap. The retelling of these narratives in this manner is the sole mission of hate5six.com.

Your donations support the continued growth of this project.

http://hate5six.com/donate

NO FUTURE at Coffee Oasis 7/19/14

Yo, check this out.

No sun and no future for Sights.

No sun and no future for Sights.

northwestdarkness:

bouquetofclumsywordsx:

northwestdarkness:

objectoccult:

Before the availability of the tape recorder and during the 1950s, when vinyl was scarce, people in the Soviet Union began making records of banned Western music on discarded x-rays. With the help of a special device, banned bootlegged jazz and rock ‘n’ roll records were “pressed” on thick radiographs salvaged from hospital waste bins and then cut into discs of 23-25 centimeters in diameter. “They would cut the X-ray into a crude circle with manicure scissors and use a cigarette to burn a hole,” says author Anya von Bremzen. “You’d have Elvis on the lungs, Duke Ellington on Aunt Masha’s brain scan — forbidden Western music captured on the interiors of Soviet citizens.”

This is insanely cool.

Jake remember when HM was going to try and do this?

Yup. I still want to and I have the machine to do it.

So sick.

northwestdarkness:

bouquetofclumsywordsx:

northwestdarkness:

objectoccult:

Before the availability of the tape recorder and during the 1950s, when vinyl was scarce, people in the Soviet Union began making records of banned Western music on discarded x-rays. With the help of a special device, banned bootlegged jazz and rock ‘n’ roll records were “pressed” on thick radiographs salvaged from hospital waste bins and then cut into discs of 23-25 centimeters in diameter. “They would cut the X-ray into a crude circle with manicure scissors and use a cigarette to burn a hole,” says author Anya von Bremzen. “You’d have Elvis on the lungs, Duke Ellington on Aunt Masha’s brain scan — forbidden Western music captured on the interiors of Soviet citizens.”

This is insanely cool.

Jake remember when HM was going to try and do this?

Yup. I still want to and I have the machine to do it.

So sick.

jesusernestomartinez:

Temporary flier until I can announce the headliner next week. Thanks for all the years. This will be the final show at the Quesadilla Factory and  It truly fucking ruled. Will I ever book a show after this? No idea yet. Click photo for event page!

jesusernestomartinez:

Temporary flier until I can announce the headliner next week. Thanks for all the years. This will be the final show at the Quesadilla Factory and  It truly fucking ruled. Will I ever book a show after this? No idea yet. Click photo for event page!